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Why you still haven’t published the thing you keep meaning to write
By Ramia El Agamy
 · December 8, 2021

There is an article you have been meaning to write for about eight months.

You know roughly what it says, because you have had the argument out loud a dozen times in meetings and on calls and it lands every time. You have opened a document. It is still one paragraph long, and every few weeks you notice it there and feel slightly worse about it than you did the time before.

This is neither a discipline problem nor a time problem, whatever it feels like at eleven at night. People who run entire organisations do not have a discipline problem, and when the same capable person fails repeatedly at the same small task, the sensible conclusion is that the task has been set up badly.

In our experience it is almost always one of three things.

1. The expectations are too big

The piece you have not written is carrying an enormous amount of weight by now. It has to be definitive, it has to finally explain your view properly, and it has to be good enough to justify the eight months you have spent not writing it.

Nothing survives that kind of loading. You are not blocked on the writing at all; you are blocked on the significance.

The way through is to reduce what any single piece is required to achieve. One article is not a position, and a position is what twenty articles add up to, with the twentieth being better than the first precisely because the first existed and taught you something. Spread the expectation across a body of work and each individual piece becomes small enough to finish on a Tuesday.

You are not blocked on the writing. You are blocked on the significance.

2. You are doing a job you should have handed over

Most senior people can think clearly and speak well under pressure. Considerably fewer can write quickly, and there is no particular reason why they should, since writing well is a specific craft that takes years and you have spent your years acquiring something else.

This is the mistake that costs most, largely because it disguises itself as integrity. It has to be in my own words, therefore I have to type it myself: two statements that sound like one and are not. Talking for forty minutes to somebody who can shape what you said, and then editing it hard until the rhythm is yours again, tends to produce something more characteristic of you than a draft you resented producing at midnight.

Hire the writer and keep the judgement, which was always the part nobody else could supply.

3. There is no process, so every attempt starts from nothing

The reason the eight-month article is still one paragraph long is that nothing happens after the paragraph. No one is expecting it, there is no date attached to it, and nobody will notice if it never appears.

Anything resting entirely on your own motivation on a given afternoon will lose to the things that have other people attached to them, which is most of your week. Give the writing the same scaffolding you would give any other commitment you intend to keep: a recurring conversation with whoever is helping you, a date in the calendar, and somebody other than you who is waiting for the draft. A personal branding retainer exists largely to be that scaffolding.

And so

The cost of all this is quiet, which is exactly why it goes unaddressed for years at a time.

Nobody ever notices the article you did not publish. But the opportunity that went to someone with a clearer public argument, the invitation that never arrived, the client who chose the firm whose thinking they had already read on a Sunday evening: those are the same cost, turning up later and in a form that gives no hint of what caused it.

The thing you keep meaning to write will not write itself, and it is not going to become less true while you wait.


Ramia El Agamy
Ramia El Agamy is co-founder and CEO of Orbis Terra Media. She founded Tharawat Magazine in 2008 and remains its Editor-in-Chief, launched Women in Family Business in 2014, and has since interviewed hundreds of senior leaders across both shows. She is a trustee of Shakespeare’s Globe in London and joined the board of Caran d’Ache in Switzerland in 2024.

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